Mostrando entradas con la etiqueta Mystique. Mostrar todas las entradas
Mostrando entradas con la etiqueta Mystique. Mostrar todas las entradas

miércoles, 6 de septiembre de 2017

Why Mystique?

A lot of people have made me notice that Mystique is becoming the most prominent character from the movies, and I always accepted this because Mystique is one of my favorite X-men villain/anti-hero.
Please don't hate me but I dig her being the superhero, for many reasons.
The worst argument someone could give me, that annoys the crap out of me, is the "It's not in the comics", that argument is not actually valid unless you are angry and I get that some people hate the X-men movies (I'm  not blind there is an MCU minority that is very loud telling us "Give the rights back to Marvel")and I respect their point of views...just don't bug the rest of us with it.

But my opinion of Mystique goes far beyond this is a bad or good, it is why?

And to do this you have to understand some basics about mutants: Mutants are an allegory for any type of oppressed minority and therefore there are characters that represent some of these minorities in a proper way. For example, there is the legacy virus is an allegory to HIV which is not representative and the resolution to it was very cheeep...but we will not get into it.

The importance comes in how the movies present this conflict

Adaptation of the conflict

The first X-Men movie was all about Xenophobia, the second one was about Homophobia, the third one (I'm taking my calming pills) is about whether we should or should not cure homosexuality...damn you Brett Ratner. X-men First class was coming to terms with your identity be that cultural or sexual; X-men Days of future past is the most prominent in the sense that it manages to cram Antisemitism, Xenophobia and Homophobia in one movie and apocalypse was about a torn family.
Now how do this adaptations work...pretty simple: Blue mutants are Latinos and Afros, blue it's a color very distinctive and very easy to spot...and it's considered unnatural in the X-men movie realm; Beast and Nightcrawler have gone a long way to accept who they are and that is their skin they could not choose it...the story is longer but short is better here.
  
Antisemitism is done via framing and locations, the dystopian future of X-Men DPOF is reminiscent of concentration camps and there is a truck putting a hundred corpses in the prologue alone; Bolivar Trask is framed as the Hitler of the story and is Sentinels are his Nazis (one day ill make a video explaining how brilliant DPOF actually is).

Rouge and Iceman, and other characters are Homosexuals, Iceman was going to be Singers allegory for Gay people but Rather thought that was dumb so he said Rouge will be the allegory and he gives her the mutant cure... (Don't break the keyboard, don't break the keyboard).

Mutants speak walk and talk like this minority's, X-men 2 present's the president of the USA like Ronald Regan through the HIV crisis "Let them die" kind of vibe, Senador Kelly from the first movie is a Christian Extremist and Mystique his antithesis as a character. And William Stryker has this Dr.Death undertone with the experimentation of mutants, and he is an homophobe too...cuz he rejected his son just because he is a mutant.


As an adaptation the X-Men movies have succeeded in portraying the conflicts of minorities, except for the curing homosexuality thing.

"Mutant and Proud"

Isn't it obvious?: she is blue, she has had an identity crisis and accepts who she is, she transforms between genders all the time. That makes Mystique an Afro-American, a gay person, a transgender woman/man and through framing a Jew.

Mystique has always been this proud image of mutant-hood, in X2 there is a scene when Nightcrawler engages her and inquiries about her powers and why doesn't she hide and look like everyone else and she refuses to do it because she is not afraid of what she is, this ties into the theme of the First Class movie and develops  even further on DPOF.

She is the main character to come to terms with her mutant identity and the only one that expands upon her new found faith in herself ; if you compare her to Magneto or Charles they just don't care about their powers but how the world treats them and the actions that they need to do for the better future while Mystique focus is what she is and what others like her have been trough.

There was the Rouge problem in X3 where she wants to be "Normal" and succumbs to it because she just can't deal with it anymore you have Mystique on the other side that wants to do the same things but does the opposite and that is why she is powerful to Afros, Latinos and the LGBT community.

She literally holds a gun to the Hitler allegory and decides to be the anthropomorphic better man and let him live so that the future can be saved, Bolivar Trask is all the evils in the world and she decides to spare him even after all the atrocities...and the point of it is showing how much abuse these minorities have suffered but still be above the enemy and demonstrate compassion that their adversaries are not willing to give.     

So for her to become a hero is a good arc because; how are you going to turn into villainy a character that embodies all the suffering of minorities that has overcome her fears and doubts and become the better man?

The movie version of Mystique has succeded her comic cunterpart, in so many diffrent ways that the comics are hardly relevant to the discussion. The message that she leaves is uplifiting


lunes, 23 de mayo de 2016

Porque me gusto la escena del Jet en X-Men Apocalipsis (SPOILER ALERT)

En la película hay muchas escenas que nos motivan y nos hacen recordar momentos pasados en la saga de X-Men. Pero la que mas me impacto a mi fue la de recuerdos en el Jet es la que capto mi atención.
(la reflexión contiene Spoilers para la película; así que si no la has visto ve y mírala, luego vuelve)

Ya han sido 16 años desde que la primera película de X-Men debuto en el cine, consiguiendo las mejores criticas de el momento. Esta saga ha tenido sus altos y sus bajos pero no quita de que los fans la amen. Sus personajes son creativos y realmente relacionarles. Ademas de representar a muchas minorías de todo el mundo, haciéndoles a los que se encuentran fuera de los círculos sociales de influencia integrados.
Nos enamoramos de Rouge y Logan en las primeras escenas de X-Men, la joven que no podía tocar a nadie y el hombre misteriosos con pasado confuso. Conocimos a la doctora Grey en el instituto de Xavier, a Cyclops un joven muy pesado y celoso de su novia, ademas de capaz lider, y una mujer que podía controlar las variaciones del clima. Todos liderados por un hombre calvo en sillas de ruedas.
En X-Men 2 vimos como Bobby, Iceman (hombre de hielo), como salia del closet mutante y no pudimos mas que sentir pena por el cuando su madre le dijo "¿has intentado...no ser mutante?", vimos como Pyro se convirtió al lado oscuro. Vimos a Kitty Pryde traspasar paredes y a un Magneto dispuesto a lo que sea por la causa mutante.
Vimos a Jean Morir en los brazos de Logan, y toda la carga emocional que eso dejo en el espectador.
Una Joven Emma Frost escapando de una prisión creada para tomar sus poderes e inclusive un Deadpool con la boca cocida, y luego ser revindicado en su propia película.

Pero en esta trilogía, de los comienzos de los X-Men, logramos ver facetas de Magneto y el Professor X, cuando ellos solo eran Erik y Charles. Vimos el miedo de Raven, luego su evolución a Mystique. Darwin, Emma Frost Senior, Sean, Angel Salvadore, Sebastian Shaw, Hazazel estar en pantalla y ser asesinados por el miedo a lo diferente. Vemos porque los mutantes son temidos y los vemos de manera tan humana, la redundancia vale, que nos dan pena. En días del futuro pasado vemos a Charles en su punto mas bajo, habiéndolo perdido todo, cambiar el futuro para que todos los demás X-Men que vinieran no tengan que morir y que los centinelas no se apoderen del mundo.


Es asi como encontramos a Mystique en el Jet, estan viajando a Egipto para enfrentarse a Apocalipsis, cuando una joven Jean Grey le pregunta a Mystique "¿Tuviste miedo en D.C.?", refirendose a los eventos de X-Men Días del Futuro pasado, ella mira a la asustada estudiante y dice "No." mira al frente y vuelve la cabeza para contestarle "Pero si en mi primer misión" su mente viaja a cuando ella estaba sentada en la silla del Blackbird camino a Cuba, con Sean y Alex a sus costados, Hank y Moira (tal cual como están ahora) en los asientos de control, CHarles y Erik lado a lado, sonriendo. Se nota que les extraña, Sean murió por los experimentos de Bolivar Trask, Alex murió en la explosión de la mansión, Erik se fue al lado oscuro, Charles quedo incapacitado, Moira perdió la memoria. "Tenia mas o menos tu edad, yo y mis amigos." sonríe dolorosamente "Nos hacíamos llamar los X-Men"
Jean pregunta "¿Que les paso?"
"Solo digamos que Hank y yo quedamos."
La escena continua, pero para mi esta escena encapsula toda las demás películas, lo que ser un X-Men significa, aun con las perdidas que sufrimos seguimos adelante. No parar, toamr el lugar de los caídos y hacer que sus muertes valgan el sacrificio.

Escucha la composición de John Ottman para esta escena

X-Men Apocalipsis ya esta en cines